St. Theresa Comes to Rowe

 

I recently attended, both as participant and assistant, in a woman’s workshop focused on sexuality and the Medicine Wheel led by the incomparable Gina Ogden.

On the first night, all the women walked the Wheel, placing their sacred objects and sharing with the group what each object represented — one representing what they want more of in their sexual life, the other representing what they want less of.  As the evening continued, one theme came to light — the impact of religious training on sexuality, particularly that of that Catholic church.

This peaked my interest, since I attended Catholic school for 12 years and I was fully aware of the training and dogma that these women shared. As I heard the women speak, I found myself feeling incredibly grateful for my rebellious spirit and my curiosity — they have always been my saving grace. The truth is that I never believed what the priests and the nuns said about love and sex. I did not believe that I would be a sinner for enjoying the pleasure of my flesh since God himself (or herself) had created this very flesh. As far as I can remember, I believed that sex was one of God’s greatest gifts. It was a gift that allowed us as humans to transcend our bodies and the illusion of separation from others. There is a reason why, in moments of absolute pleasure, the words “oh my God” are said aloud in every language and across every religion.

 

As I sat in the circle, watching and hearing these women, I was also keenly aware that I had a small picture of St. Teresa of Avila in my bag. Until that moment, I had been  unsure of the reason why I had packed it a few days before.

St. Teresa is a Catholic saint and mystic who had a profound religious experience before an image of the wounded Christ in the convent oratory.  She felt, “He was within me, or that I was totally engulfed by him.”  Saint Teresa’s love of God and her desire for spiritual union with him manifested in a vision in which an angel pierced her heart with a golden spear and sent her into a trance — an ecstatic rapture.  In her autobiography she writes:

“The pain was so severe that it made me utter several moans. The sweetness caused by this intense pain is so extreme that one cannot possibly wish it to cease, nor is ones soul then content with anything but God.” (The Life of Saint Teresa of Ávila by herself, Chapter 29).

Ecstasy of St. Teresa Giovanni Lorenzo Bernini, 1645-1652 Rome, Italy: Santa Maria della Vittoria, Cornaro Chapel. Teresa is clothed from head to foot in a loose hooded garment. Her feet are bare, the left one prominently displayed. Her eyes are shut, her mouth opened, as she swoons in ec-stasy. Standing before her is the figure of a winged youth. His garment hangs on one shoulder, exposing his arms and part of his upper torso. In his right hand he holds an arrow that is pointed at the heart of Teresa.

​When it was my turn to walk the circle and share my objects, I put St. Teresa in the center of the Wheel symbolizing integration. I spoke of how she is a beautiful representation of what God truly intended for us — to surrender to the moment and to enjoy the gift of the human body with its multiple areas of pleasure. Whether we do this alone or with a lover, it does not matter. When we say,“yes” to enjoying our bodies, we are allowing our gift of aliveness and connection to be fully present. We breathe in life more fully.

In the Medicine Wheel, sexuality and spirituality exist in the same quadrant because the quadrant is about connectivity. Although many may not agree with me, I cannot see any separation of sexuality and spirituality. One leads directly to the other. My spirituality is about connecting more lovingly and authentically with myself, others, and God. My sexuality exists for the same reason.

The women in the circle reminded me that night that much work needs to be done to heal the lines that create separation, aloneness, despair, and negative beliefs about God and sex. When St. Teresa was placed in the circle, I believe the healing began. That night, there was a lightness that she radiated from the center of the circle into the heart of every woman.

Picture

Ecstasy of St. Teresa Giovanni Lorenzo Bernini, 1645-1652 Rome, Italy: Santa Maria della Vittoria, Cornaro Chapel. Teresa is clothed from head to foot in a loose hooded garment. Her feet are bare, the left one prominently displayed. Her eyes are shut, her mouth opened, as she swoons in ecstasy. Standing before her is the figure of a winged youth. His garment hangs on one shoulder, exposing his arms and part of his upper torso. In his right hand he holds an arrow that is pointed at the heart of Teresa.

Originally Posted on 11/13/2015

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